MMD3?6   !"#$%&'$%&'()*+ ,-./0123454@@@@@@@@@ ;@\@@@@;@ @ @@@@@@@@@@@@7d@H2MD9Eg~nJh(v\Copyright 1995 Ian ChisholmZ?x%1% 1 11,511,511%11,511116,5811 volution ? %1  1 665*51111*55611%665*51116*586?'3 1 83,5313,5,83'886,53831,588?%1 1 66*5111*55661%66*56118(/5414313Written late monday night$?%%% ,1,8 8 8 ! d8 0 c b8 0 a `1 0 Y W8 0 V U1 0 T S R Q1  P I H F1  E D C B1  A @ 9 8 7 5 4 3 2 1 0just before I start-:?-N% 0*1*8 8 8 !8 08 01 08 0= 0= = = university again.5z?5' 0,3,8 8 8 !8 08 01 08 0= 08 06 05 01 01 1 1 In a way, I guess this IS =?=% 0*1* 0 1 28  3 48  5 78 ! 81 98 0 @ A8 0 B C1 0 D E8 0 F6 H= 0 I P8 0 Q R6 0 S T5 0 U1 V1 0 W Y ` a1 0 b c5 0 d(16 08 011; 0< 0the best damn tune I everF?F%1% 11 1= 0= ,5= = 11,511%11 ,511,511wrote, if you are in theNF?N`%1  61 *511*561%61 *511*56right mood.V ?V'3 81 ,531,58'81 ,531,58?%1  61 *511*561%61 1*51 11(/45131It was originally af?f%1% 111 11,,1511,15,11%111 1,51111,116,658151MIDI only tune, acrosso ?o$%1  661 615*651111*6551611%661 65*5161166*85856116 tracks (written inwP?wf'3 381 3,,353313,5,83'81 836,,5338381,3588OctaMED V4), but?%1  661 65*15111*55661%161 66*586118=1(/451 43313as something special?%1% 111 1 1,,1511,156 ,18 1%111 1,5115 11,11 1* 6,65, 81. 1for someone very special,?,%1  661 615*651111*6551611%661 6, 5*5. 161 1166*8585615 I spent rather a long timeX?t'3 381 3 3,,353313,5,853'81 8 836 6,,53 338 8381,35886 transcribing it down?%1  661 1 65*15111*556161%161 6, 6*5. 86 6118=1(/454 43313 3to eight channels and?%1% 111 1 1, d15 ` V R I E A 7 31 ) % "   158 ,18 18 @111 8 `8185=8165,1%1% @65% 11% 11samples instead of MIDI.$?>1  661 165165, 16, 1, @661 , `,1,5.16651161 @851 561 1 ?3 381 ,353158 88 8 @81 8 `8318,56531881818635518.,The drums have suffered ar?1  661 **5115***1,.15**6,1.161 16**5,.81 1*1,.=116/4551331.1bit, but with OctaMED V6`sɸ?1% 1111,1 @11 1 1 8 18 18 @118 `818=8165,111 @61 11 1Sample Editor, mixing?1  66166, 16, 1, @66, `,1,.1665161 @81 561 drum sounds to save onB?Z3 38,338 88 8 @88 P8318,65318881863518.,channels used helped a?1 d 66* b `* W U5% S Q I F1* D B* @ 8 5 3* 1 ), & $. " %    * *  6, 1.16%6**,.81 %*1,.=1%8 P* / 41)8 P " )% 6 C331.8 P P W% d lot.?%1% 111 11,1 @,151 1 111 ,158 ,18 18 @%111 8 P8818,5=81651,1111 @,651 111 1?%1  661 61*6511*65, 165, 1, @%661 , P5,1,*5.166511161 @*851 561 Marcus says that this?'3 381 3,,35331,58 88 8 @'81 8 P88318,,5653183818186,35518.,track is the best thingF?^%1  661 **51*15***11,.1*5*6*6,51.%161 166***5,.81 1*11,8.=16(/45541331.31he has ever heard, so ? %1% 111 1,,1511,158 ,18 18 @%111 8 P8818,5=81651,1111 @,651 11 1I thought I would make?%1  661 :1*6511*65, 165, 1, @%661 , P8,1,*5.166511161 @6*851 55611 1him a version that he can?*'3 381 3,,,353331,3,568 88 88 @'81 8 P=8318,,565318381818=6,35518.=,play through Workbench,$V?$n%1  661 **51*15***11,.1*5**6,1.%161 161***5,.81 1*11,.=5186(/41541331.31as some sort of a thankyou,?,%1% 1111 1,1 ,111 111 ,116 ,11 8 11 %11181 ,111 5 1,11 11 * ,61, 11 . 11 for the wonderful time4?4%1  661:11 *611 111 *61161 11 %66181 , *1. 61 1 1161 6*815561 5 11 he has helped me to have=&?=@'3 3813 3,1 ,,311 33311 ,3,1681 81 '818 =31 6 ,,13 31 8 3811 =,3181 6 =1 this summer, and in fact,El?E%1  6611 51 *111 111 *161 11 %16161 , *1. 81 6 11=18(/414 43313 31 since I have known him.M?M%1% 111 1,,111,16 ,8 %118,15 1,11 1* ,61, 1. ?%1  6:1*611*61%618, *. 61 1166*815515 1We have had ups and downs,]?^'3 33 3,,3331,'18 d b36 Y W U R,,3 P G E C38 @ 8 6 3381 1 ( & $ !   ,31   16  and hell, even lefts andfF?f`%1  61 5*111*%1161 , *1. 816 11111 (/4114 3113 1rights, (but no ins andn?n%1% 11 1,1,6 18 1%11,15 111 * 6,, 81. 1outs, thank God!)v?v%1  665*111*5611%66, 5*. 11 16*865 but we have somehow stuck?('3 83 3,33,,83'88 86 6,3 38 83,886 together through it all.T?n%1  61 6*11*5661%6, 6*. 6 618(/44 433 3?%1% 11 d1 c b a ` Y X W, V U T S R Q P I1 H G F E D C B A, @ 9 8 71 6 51 4 3%1 2 1 0 ) ( ' & %, $ # " !   1       ,    1  1 See you whenever, Marcus.?%1  6*1*61%6*1*6?'3 8,3,8'8,3,8Love ya, ?%1  6*1*61%6*1(/43 -Ian&?4%1% 1 d d d b b b ` ` ` X X X V V V U U U S S S Q Q Q I I I G G G E E E C C C A A A @ @ @ 8 8 8 6 6 6 4 4 4 2 2 2 0 0 0 ( ( ( & & & % % % # # # ! ! !                              To use in V6, increase tempo`?~to 06/03. ?%               " # $ & ' ) 0 1 3 4 5 7 8 9 A B D E F H I P R S T V W X ` a c d %2-r5=F>NV^goHw Pbj:~> N$,5=dEMU^>fnwLXAnthem2 - This one is certainly for you, Marcus.v(. vV7 syn.grandpianoMID.VoiceMajor.iffbas.fretlessSteelDrumsyn.grandpianohighMID.Loungelizz.iffDA.ostertrumpet1Leg.Blazzering3MID.Voice1.iffcfaFORG.BassStringBS.BassDrumShakerPopSnare2ID.Hihat15.CymhitNM.ClapTMOT.XellentCymbaljperc1Snare+sshakerbassdrum+shakercymhit+shakerFor you, Marcus.(Anthem2)ɼ1h*c6'  +/(' 8 9,  ' (6* ' '  (5 /'0'04 < %6#.*'0 ;4)  :$%.-9(& /(7> ??0$') /8&& &  83./    /2:) 1 (?,# 0 5(,&#??"/0'(.!!+8*$ ( /?0+;,+(/0,2 (#8* 1/4#0'9)(7 ".' +.  $-7&,0  8#)7"/0: $ "'!+  +(( % % / &(!* 4-4-$(''('3 %  % -(  "/('<  *+#":$--$)*  "" &#(  &"  & %!2$'  ' -&+ # %! +, + &%  '& $  #   " %(22 $ $!  #  '(#0 &$' " '%&&.# ! #%)!,# 2# $)   & #/('*#"'   # )+ $/     (.    +$7(#"  '**&$$  % &%&("$    0 #&#   ! )$!"'$   *$##.'%  '#'" #-('      '""##,,"  # # /(  "  #0("    ('#*/$#    $"'+, ,#  %#4$',     /,.$    %3"%!(*#"   #%$!#' $    $ #&"    #&"   # #0&  "  & #!$' ##$#"   & '$  *3"     "$$!    "+$     ##("    !    '$    $    #      $       !%            %$    #(%       (   '   %!$                 "       "     ,    ($     ! #     !       '      $   !         & &      "                                                                                                              "                             !                                                   #                                                                                         "